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<channel>
	<title>Estelle Schorpp : sound artist</title>
	<link>https://estelle-schorpp.com</link>
	<description>Estelle Schorpp : sound artist</description>
	<pubDate>Mon, 31 Aug 2026 13:17:56 +0000</pubDate>
	<generator>https://estelle-schorpp.com</generator>
	<language>en</language>
	
		
	<item>
		<title>La prétention d'exister</title>
				
		<link>https://estelle-schorpp.com/La-pretention-d-exister</link>

		<pubDate>Mon, 31 Aug 2026 13:17:56 +0000</pubDate>

		<dc:creator>Estelle Schorpp : sound artist</dc:creator>

		<guid isPermaLink="true">https://estelle-schorpp.com/La-pretention-d-exister</guid>

		<description>
La prétention d’exister

album / original score for dance -&#38;nbsp;2026

LISTEN

HERE&#60;img width="3988" height="3988" width_o="3988" height_o="3988" data-src="https://freight.cargo.site/t/original/i/2de0ea859ef621f456d98cee6db65df546d9826356cc74e3307cf90e9441b36f/pochette.jpg" data-mid="251707080" border="0"  src="https://freight.cargo.site/w/1000/i/2de0ea859ef621f456d98cee6db65df546d9826356cc74e3307cf90e9441b36f/pochette.jpg" /&#62;
La prétention d’exister is the album version of a composition originally created for the choreographic work of the same name by Ariane Levasseur and Rozenn Lecomte.This music accompanies a work that explores intimate narratives, dynamics of attachment, and the tensions between softness and resistance among queer and lesbian women. The piece unfolds within a world that is both raw and sensitive, where bodies assert their presence and their right to exist otherwise.Driven by a desire for exploration, I moved away from my usual aesthetic affinities to develop a repetitive, dense, explosive, and deeply textural musical language. The album is structured in three pieces that trace a trajectory of transformation, both sonic and emotional.The first track, La prétention d’exister, is rooted in a language close to industrial and deconstructed techno: a repetitive 4/4 structure at 120 BPM, driven by distorted materials, deep low frequencies, and sharp attacks. A raw, explosive aggressiveness runs through this opening, where energy manifests as a force of assertion and overflow.The second track, Une armée d’amantes ne meurt jamais, gradually shifts toward a different listening regime. Without breaking the intensity, the structure dissolves into a textured ambient landscape, where saturation becomes material and time is stretched. This section acts as a transitional space, inspired by a more spectral and immersive approach to sound.Finally, Momentum extends this movement into a more enveloping and organic writing. The energy retains the same density, but reveals an unexpected softness—an energy that leans more toward momentum, hope, and even a form of love.
 



	Credits :
composed and mixed by Estelle Schorpp
mastered by Thomas Floquet
album cover by Jeanne Tétreault
Shows:


	26.09.2026
	Festival Mauricie Arts Vivants, CA.

	14-17.03.2026
	Tangente, Montréal, CA.

</description>
		
	</item>
		
		
	<item>
		<title>dreamachine</title>
				
		<link>https://estelle-schorpp.com/dreamachine</link>

		<pubDate>Thu, 23 Apr 2026 19:24:30 +0000</pubDate>

		<dc:creator>Estelle Schorpp : sound artist</dc:creator>

		<guid isPermaLink="true">https://estelle-schorpp.com/dreamachine</guid>

		<description>dreamachine

film - a/v performance - 2025





dreamachine emerged from the collaboration between sound artist 
Estelle Schorpp and video artist Charline Dally. Created from archival 
footage recorded on DV cassettes in the Shinkansen and Hong Kong trains,
 the film brings together images that become fluid, blending with analog
 video feedback and shimmering textures. Musically, synthesized sounds 
and field recordings, modulated by algorithmic processes, compose 
a&#38;nbsp;hybrid soundscape with brilliant and enveloping textures. The project 
seeks to transpose the sensation of looking out of a&#38;nbsp;train window, and 
the way in which the mind can escape and float away in a&#38;nbsp;dreamlike 
state.
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; “You come away with the feeling of having spent 
a long time gazing out of a train window, 
not quite knowing whether you were awake or dreaming.” 

Félicité Couëlle-Brunet, PAN M 360, MUTEK 2026 [translated from French]

&#60;img width="5429" height="3393" width_o="5429" height_o="3393" data-src="https://freight.cargo.site/t/original/i/010468d75e297e15ed31e2c308d44a819b8c25943d65b0c5f9d14388eb5867fd/CymatiquesIII-0082-2.jpg" data-mid="247546774" border="0" data-scale="93" src="https://freight.cargo.site/w/1000/i/010468d75e297e15ed31e2c308d44a819b8c25943d65b0c5f9d14388eb5867fd/CymatiquesIII-0082-2.jpg" /&#62;
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Credits
music : Estelle Schorppimage : Charline Dallyphotos credits :&#38;nbsp;Francis Leduc-Bélanger &#38;amp; Nina Gibelin Souchon


Shows and screening


	15.11.26
12.11.26

 06.11.26 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 29.08.26

 16.03.2624.01-13.02.26
15.02.25



	(live show) OFNI Festival, Poitiers, FR.&#38;nbsp;(live show) Sonica Festival, Ljubljana, SI.
(live show) HELLERAU, Dresde, DE.
(live show)&#38;nbsp;MUTEK, Montréal, CA.&#38;nbsp;(sreening) FIFA, Montréal, CA.
(screening) dreamachine, Chapelle IV ,Paris, FR.

(live show)&#38;nbsp;CYMATIQUES III,&#38;nbsp;Centre PHI, Montréal, CA.




</description>
		
	</item>
		
		
	<item>
		<title>In My Ears (for Maryanne)</title>
				
		<link>https://estelle-schorpp.com/In-My-Ears-for-Maryanne</link>

		<pubDate>Mon, 21 Oct 2024 14:41:12 +0000</pubDate>

		<dc:creator>Estelle Schorpp : sound artist</dc:creator>

		<guid isPermaLink="true">https://estelle-schorpp.com/In-My-Ears-for-Maryanne</guid>

		<description>
In My Ears 
(for Maryanne)Released on LINE, Oct 4 2024

LISTEN&#38;nbsp;

	HERE

&#60;img width="1712" height="1712" width_o="1712" height_o="1712" data-src="https://freight.cargo.site/t/original/i/08b48f454ea63466e8d42b11037dcbd2ba1aac18885b314522515fd6b34abb9f/Capture-decran-2024-10-18-a-18.50.39.png" data-mid="220075164" border="0"  src="https://freight.cargo.site/w/1000/i/08b48f454ea63466e8d42b11037dcbd2ba1aac18885b314522515fd6b34abb9f/Capture-decran-2024-10-18-a-18.50.39.png" /&#62;

In My Ears 
(for Maryanne) is the album version of the performance Maryanne Inside My Ears, that was commissioned by Le Mans Sonore and premiered as a 35
 minute performance in the anechoic chamber of the CTTM Le Mans in 
January 2024. Most of the sounds and algorithms were conceived during a residency at Sporobole in Sherbrooke, Canada, during fall 2023.

In My Ears (for Maryanne) is a tribute to the work of American composer and sound artist Maryanne Amacher. Algorithmically composed using SuperCollider, the album highlights several aspects of her work: amplitude dynamics, sound-walk-inspired temporal structure and, above all, the musical exploration of distortion product otoacoustic emissions*. The composition encourages the creation of “perceptual geographies,” to use Amacher’s terms, by making space, body and ear resonate at the same time. Thus, by alternating scales of perception within the temporality of an unfolding landscape, In My Ears (for Maryanne) is a sound experience that is both delicate and visceral, essentially physical.

* Distortion product otoacoustic emissions are sounds emitted by the inner ear when it is stimulated by two pure tones of close frequencies, generally between 1000 hz and 4000 hz at a certain amplitude. In response, the inner ear produces harmonic artifacts, resulting in a buzzing effect in the auditory canal.


“Even with the SuperCollider levels of programming, there is heart here”

Beach Sloth — In My Ears (for Maryanne)
“The basic samples, gently shifted against one another, 
give rise to the most delicate and ever-changing layers.”

Karsten Zimalla, Westzeit [translated from German]


Credits
Composition, SuperCollider programming, mixing and mastering : Estelle SchorppAlbum cover : Juliette Francine FrenayProduction and financial support : MITACS, Sporobole, Le Mans Sonore
Shows :&#38;nbsp;
	24.01.27
03.12.26
03.06.26
12.07.2506.12.2406.04.2414.03.2402.03.24
20.02.2402.02.24
20-21-22.01.24


	White Wall Studio, Montréal, CA.
kvr, Vienna, AT.
KM28, Berlin, DE.Norberg Festival, Norberg, SE.Recombinant Festival, San Fransisco, USA.Point d’ouïe #3, Sherbrooke, CA.Électrochoc#4 — AKOUSMA, Montréal, CA.Eastern Bloc X Ateliers Belleville, Montréal, CA.
Acousmodromes, Marseille, FR.
Unit 44, Dublin, IE.BIENNALE DU SON — LE MANS SONORE, Le Mans, FR.


</description>
		
	</item>
		
		
	<item>
		<title>A Conversation Between a Partially Educated Parrot and a Machine</title>
				
		<link>https://estelle-schorpp.com/A-Conversation-Between-a-Partially-Educated-Parrot-and-a-Machine</link>

		<pubDate>Mon, 13 Nov 2023 20:20:15 +0000</pubDate>

		<dc:creator>Estelle Schorpp : sound artist</dc:creator>

		<guid isPermaLink="true">https://estelle-schorpp.com/A-Conversation-Between-a-Partially-Educated-Parrot-and-a-Machine</guid>

		<description>
	
	
	
	
A Conversation Between a Partially Educated Parrot and a Machine
A performance for augmented gramophone and computer - 2023












	























Through
the use of both original and digitalized birds’ recordings archives from the
1930’s, this performance explores the historical and sonic relationships
between birds, humans and sound reproduction technologies. In the late 19th
century, Eldridge Johnson, head of Victor Records, said about the phonograph
that it “sounded much like a partially educated parrot with a sore throat and a
cold in the head” (Johnson, quoted in Kenney, Recorded Music, 47). This is
the same phonograph that Ludwig Koch used in 1889 to make the first recording
of a white-rumped shama in a zoo
in Frankfurt. This comparison gave rise to the idea of establishing a creative
dialogue between sound technologies (old and new) and birdsongs. 
The performance recontextualizes the history of
birdsong’s recordings by blending documentary archives, shellac records,
gramophone and contemporary interactive algorithmic technologies. The project
emphasizes a dynamic back-and-forth between several types of discourse
(documentary and fictional), technology (computer and gramophone), gesture and
sound (bird song and technological artifacts). In so doing, A Conversation
Between a Partially Educated Parrot and a Machine offers an immersive sound
experience in which birds, machines and humans make music together.





“An exquisite work of performative electronic music.”&#38;nbsp; &#38;nbsp; Lucia Ronchetti — Venice Biennale Musica

“A formidable diffraction of creative materials.”&#38;nbsp; &#38;nbsp; PAN M 360 — Akousma
Credits:Research, Conception, Composition, Programming and Performance : Estelle SchorppProduction and financial support : La Biennale di Venezia - CIMM, Centro Informatico Musicale Multimedia, Conseil des Arts et des Lettres du Québec (CALQ)Main mentor : Miller Puckette
 Mentors : Kyoka, Brigitta Muntendorf, Thiery Coduys, Oscar Pizzo, Gerfried Stocker, Ali Nikrang, Yoko ShimizuSound archives : BBC













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&#60;img width="2560" height="1600" width_o="2560" height_o="1600" data-src="https://freight.cargo.site/t/original/i/fc32c1438a3641d5d8851f3ff44628636133e65f3f5c480cf0d56403255c7f62/Capture-decran-2023-11-13-a-12.53.16.png" data-mid="196752196" border="0"  src="https://freight.cargo.site/w/1000/i/fc32c1438a3641d5d8851f3ff44628636133e65f3f5c480cf0d56403255c7f62/Capture-decran-2023-11-13-a-12.53.16.png" /&#62;
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&#60;img width="2560" height="1600" width_o="2560" height_o="1600" data-src="https://freight.cargo.site/t/original/i/642d50704bcba196c3f7ac0be6c5024ad4d9685c69cd50dfd5279543c0445e24/Capture-decran-2023-11-13-a-12.54.00.png" data-mid="196751046" border="0"  src="https://freight.cargo.site/w/1000/i/642d50704bcba196c3f7ac0be6c5024ad4d9685c69cd50dfd5279543c0445e24/Capture-decran-2023-11-13-a-12.54.00.png" /&#62;
© Lucio Fiorentino, Luca Gianfrancesco, Pasquale Sbarra. Courtesy La Biennale di VeneziaShows&#38;nbsp;:
&#38;nbsp;

	29.03.2513.12.2428.11.24

16.10.2419.10.23 




	SIGHT + SOUND, Eastern Bloc, Montréal, CA.live@cirmmt, MMR, Montréal, CA.
Substrat, SAT, Montréal, CA.
AKOUSMA, Usine C, Montréal, CA.BIENNALE&#38;nbsp; MUSICA 2023, Teatro Piccolo Arsenale, Venice, IT.





</description>
		
	</item>
		
		
	<item>
		<title>Anémochories</title>
				
		<link>https://estelle-schorpp.com/Anemochories</link>

		<pubDate>Tue, 21 Sep 2021 23:18:07 +0000</pubDate>

		<dc:creator>Estelle Schorpp : sound artist</dc:creator>

		<guid isPermaLink="true">https://estelle-schorpp.com/Anemochories</guid>

		<description>

Anémochories
a 14 hours wind-generated composition -&#38;nbsp;2021
LISTEN EXCERPTS
HERE


&#60;img width="736" height="476" width_o="736" height_o="476" data-src="https://freight.cargo.site/t/original/i/ef914f900f837bc0c4ed0ae439b2f07467cda6efb128582975e684e799ec1344/Capture-decran-2021-09-21-a-19.51.24.png" data-mid="119537927" border="0"  src="https://freight.cargo.site/w/736/i/ef914f900f837bc0c4ed0ae439b2f07467cda6efb128582975e684e799ec1344/Capture-decran-2021-09-21-a-19.51.24.png" /&#62;

	Anémochories are a series of generative and/or interactive 
compositions controlled by the wind. Algorithmically conceived, the 
compositions unfold and adapt to different situations, places, devices, 
temporalities and formats of diffusion such as installation, acousmatic 
concert, or performance.


	Wind is a meteorological phenomenon that plays several important roles in ecosystems. The one that interests me in particular is the phenomenon of anemochory, which is the dispersion of diaspores. This is the main mode of dispersal for about 90% of plant species. The wind disperses life. Anémochories#1,&#38;nbsp;the first iteration of the series was specifically conceived for the outdoor multichannel sound system of Art Center Sporobole, Sherbrooke, Canada.&#38;nbsp;The generative composition uses wind force data to subtly vary sounds, structures and space. The
overall aesthetic of this piece is an aesthetic of the "near-inaudible", thought for the transient place that is the street. The sound materials are subtly and plausibly integrated into the sound environment of the street and the structure slowly unfolds in time and space, playing with the threshold of perception. Like the wind that spreads the living without our knowledge, I propose a work that unfolds with or without us.&#38;nbsp;Anémochories#1 was inspired by soundwalks around the city, and was meant to be a point of listening to an elusive landscape in its entirety.

Credits : Research, Conception, Composition, Programming : Estelle
SchorppProduction and financial support : Sporobole, Hexagram










	Exhibited&#38;nbsp;
2021Anémochories#1 was specifically created in June 2021 for the multiphonic sound system of La Vitrine of Art Center Sporobole in Sherbrooke, Canada.It was also adapted to be streamed on the sound immersion platform “Déjà-vu”.

	

&#60;img width="1798" height="1170" width_o="1798" height_o="1170" data-src="https://freight.cargo.site/t/original/i/807abb6023e576782cc72e61254803c962fd8ae745ab48966bb1247c25cbe9de/Capture-decran-2023-01-16-a-18.42.43.png" data-mid="164946787" border="0"  src="https://freight.cargo.site/w/1000/i/807abb6023e576782cc72e61254803c962fd8ae745ab48966bb1247c25cbe9de/Capture-decran-2023-01-16-a-18.42.43.png" /&#62;

	2022 
It was also played in April 2022&#38;nbsp; for PULS
III: Ljudbänken @ Skeppsholmen, Audiorama, Stokholm, SE.


	

	&#60;img width="1518" height="1092" width_o="1518" height_o="1092" data-src="https://freight.cargo.site/t/original/i/367e912c24734b618da6d6e1f9fada2d6a43cc90ebb5fa20f4eb8638f2187e3b/Capture-decran-2023-01-16-a-18.41.15.png" data-mid="164946725" border="0"  src="https://freight.cargo.site/w/1000/i/367e912c24734b618da6d6e1f9fada2d6a43cc90ebb5fa20f4eb8638f2187e3b/Capture-decran-2023-01-16-a-18.41.15.png" /&#62;





	
Estelle Schorpp · anémochories#1</description>
		
	</item>
		
		
	<item>
		<title>Écosystème(s)</title>
				
		<link>https://estelle-schorpp.com/Ecosysteme-s</link>

		<pubDate>Tue, 21 Sep 2021 23:18:07 +0000</pubDate>

		<dc:creator>Estelle Schorpp : sound artist</dc:creator>

		<guid isPermaLink="true">https://estelle-schorpp.com/Ecosysteme-s</guid>

		<description>
Écosystème(s)

self-interactive sound installation - 2019


	Écosystème(s) is a self-interactive sound installation inspired by the communication techniques of orthopteran insects. Placed
 on a listening desk, about twenty speakers of different models 
broadcast sound samples whose spectra and behaviours are inspired by bug
 songs. This device allows a global listening point of a sound 
microcosm. Thanks to two listening microphones and a trigger and 
threshold algorithmic system, each sample enters or disappears, depending on the 
« sonic space » it can occupy. The audience is thus taken into 
consideration and its sound presence modifies the behaviour of the 
environment that tries to find a balance. The form is vivid and 
unpredictable, in a hesitation between naturalist and artificial 
landscape, between chaotic sound swarms and formed patterns. It invites attentive listening and silence.
Credits :Research, Conception, Composition, Programming : Estelle SchorppDevice’s conception and realisation : Estelle Schorpp, Alexandre Mantha

“an intimate soundscape”
Nicolas Mavrikakis, Le Devoir [translated from French]&#38;nbsp;



Exhibited :

	2021
2020
2019
	

- FIMAV
Edition 37, Sound Installations, Victoriaville, CA.
 -&#38;nbsp;MUTEK Forum Edition 7, CA, MX, JP,
AR. -&#38;nbsp;Festival Ars Electronica Garden 2021,
AT.

“Formes d’ondes”, Gallery
of the University of Montreal, CA.
Ultrasons Festival, Faculty of Music of Université de Montréal.



	&#60;img width="5518" height="4000" width_o="5518" height_o="4000" data-src="https://freight.cargo.site/t/original/i/c8e4038ec584b034063936049c367edfb1c934a995498cd11005c1896a1852b6/DSC_0003.JPG" data-mid="119536454" border="0"  src="https://freight.cargo.site/w/1000/i/c8e4038ec584b034063936049c367edfb1c934a995498cd11005c1896a1852b6/DSC_0003.JPG" /&#62;

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</description>
		
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	<item>
		<title>Ajustement(s)</title>
				
		<link>https://estelle-schorpp.com/Ajustement-s</link>

		<pubDate>Tue, 21 Sep 2021 23:18:07 +0000</pubDate>

		<dc:creator>Estelle Schorpp : sound artist</dc:creator>

		<guid isPermaLink="true">https://estelle-schorpp.com/Ajustement-s</guid>

		<description>Ajustements(s)

Live electronics and dance - 2019


&#60;img width="4272" height="2856" width_o="4272" height_o="2856" data-src="https://freight.cargo.site/t/original/i/9448c225d4e9d0c4236e4b6692668dcce5e249ae5da46d23752b003fa9cff0c4/P1220974.JPG" data-mid="123673767" border="0"  src="https://freight.cargo.site/w/1000/i/9448c225d4e9d0c4236e4b6692668dcce5e249ae5da46d23752b003fa9cff0c4/P1220974.JPG" /&#62;
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&#60;img width="4272" height="2856" width_o="4272" height_o="2856" data-src="https://freight.cargo.site/t/original/i/dc6c1cf2241c6320fd549619cb6ec22bbd53a84bcc4d873d27ce8c61cb898056/P1230025.JPG" data-mid="123673792" border="0"  src="https://freight.cargo.site/w/1000/i/dc6c1cf2241c6320fd549619cb6ec22bbd53a84bcc4d873d27ce8c61cb898056/P1230025.JPG" /&#62;


	This performance explores the possibilities of communication between two languages: movement and sound. Starting from the psychoacoustic phenomenon of beating, both performers initiate an 
intimate dialogue in a formalist and minimalist structure, attempting to understand each other, to join, to 
adjust. Juliette’s curvature is accentuated, the beat is still audible. The body twists slowly while a descending melodic profile is heard in a slow panning from left to right. Silence. Balance. Tension. Breaking point. The sound granulates and scatters. Juliette has fallen to the ground.

Ajustement(s) was specificaly created in 2019 for the group show “Finale”, Palais des Beaux-Arts,
Paris, FR.
Credits : 
research, conception, composition, live electronics : Estelle
Schorppresearch, conception, movement :
Juliette Francine Frenay



</description>
		
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	<item>
		<title>Memorià de Santa Susanna</title>
				
		<link>https://estelle-schorpp.com/Memoria-de-Santa-Susanna</link>

		<pubDate>Wed, 22 Sep 2021 00:12:22 +0000</pubDate>

		<dc:creator>Estelle Schorpp : sound artist</dc:creator>

		<guid isPermaLink="true">https://estelle-schorpp.com/Memoria-de-Santa-Susanna</guid>

		<description>Memorià de Santa Susanna
composition for and with insects, live electronics, saxophone, cello, guitar and bells - 2017

LISTEN EXCERPT
HERE
	

&#60;img width="4592" height="2584" width_o="4592" height_o="2584" data-src="https://freight.cargo.site/t/original/i/d5b024c3dbba49616a7c05f2f736ff950f755dd6d18a5721880433976454a101/P1110984.JPG" data-mid="119540576" border="0"  src="https://freight.cargo.site/w/1000/i/d5b024c3dbba49616a7c05f2f736ff950f755dd6d18a5721880433976454a101/P1110984.JPG" /&#62;
&#60;img width="4592" height="2584" width_o="4592" height_o="2584" data-src="https://freight.cargo.site/t/original/i/6510fc7a352473c6806a5ffa899ff047e80a8d3dc3f68678f074e3158dc8ad3e/P1110828.JPG" data-mid="119540594" border="0"  src="https://freight.cargo.site/w/1000/i/6510fc7a352473c6806a5ffa899ff047e80a8d3dc3f68678f074e3158dc8ad3e/P1110828.JPG" /&#62;
&#60;img width="4592" height="2584" width_o="4592" height_o="2584" data-src="https://freight.cargo.site/t/original/i/b538b57f5f2b1cd2cc413ee2e126315329746a4f7f659985b793277d7e0342f3/P1110780.JPG" data-mid="123677642" border="0"  src="https://freight.cargo.site/w/1000/i/b538b57f5f2b1cd2cc413ee2e126315329746a4f7f659985b793277d7e0342f3/P1110780.JPG" /&#62;



	 
Memorià de Santa Susanna&#38;nbsp;was composed during the intensive field recording and sound ecology summer camp Audiotalaia in July 2017.

This piece was written
for and with an ensemble of seven human performers and hundreds of insects. This piece was composed based on field recordings I
made in the surroundings of the ruined church Santa Susanna, in the dry
mountains of Catalonia. One of the most striking sonic signatures was of course
the bugs songs, filling the space with complex rhythmic patterns and rich high
frequencies timbers. Another sonic presence, yet inaudible, was the echo of the
bells of the old church. This piece was meant be performed
in-situ, made for and with the soundscape. It aimed to propose an auditory experience of the place by 
activating it, by offering to listen to it in a different way. 





Credits :Vocals : local insectsComposition, live electronics : Estelle SchorppLive Coding : Liew NiyomkarnLive Electronics :
Evan TarrhCello
: Itxaso
NavarroGuitar
: Leire
Elizari CarcellerBells : Timo TimolainenSaxophone
: Jose
Venditti
 
Estelle Schorpp · Memoria de Santa Susanna (excerpt)
	&#60;img width="2584" height="2584" width_o="2584" height_o="2584" data-src="https://freight.cargo.site/t/original/i/a725dbb6e6b2417acdd1edd50fab7b105ab98c0886d3d98870be94c5bf16bd5d/P1110923.JPG" data-mid="123677780" border="0"  src="https://freight.cargo.site/w/1000/i/a725dbb6e6b2417acdd1edd50fab7b105ab98c0886d3d98870be94c5bf16bd5d/P1110923.JPG" /&#62;
	&#60;img width="2584" height="2584" width_o="2584" height_o="2584" data-src="https://freight.cargo.site/t/original/i/d79ebc576d7fcc19f67bd431d31c82f256997b7ee77d53cadb113c4da006d933/P1110894.JPG" data-mid="123677783" border="0"  src="https://freight.cargo.site/w/1000/i/d79ebc576d7fcc19f67bd431d31c82f256997b7ee77d53cadb113c4da006d933/P1110894.JPG" /&#62;
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</description>
		
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	<item>
		<title>Promenade pour sept, sept minutes</title>
				
		<link>https://estelle-schorpp.com/Promenade-pour-sept-sept-minutes</link>

		<pubDate>Wed, 22 Sep 2021 00:16:39 +0000</pubDate>

		<dc:creator>Estelle Schorpp : sound artist</dc:creator>

		<guid isPermaLink="true">https://estelle-schorpp.com/Promenade-pour-sept-sept-minutes</guid>

		<description>

	Promenade pour sept, sept minutes

installation - 2016

LINSTEN EXCERPT&#38;nbsp;
HERE


&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/fc849d6b37f16638af3f010da95cea44ccb81868a7989a29b974c4f0ee509354/_MG_7987.JPG" data-mid="119540755" border="0"  src="https://freight.cargo.site/w/1000/i/fc849d6b37f16638af3f010da95cea44ccb81868a7989a29b974c4f0ee509354/_MG_7987.JPG" /&#62;
&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/174ac8f6076b954cad9eaa3e4dd1aca1d0e95bc09b5d71cf1b46d870f649782c/_MG_8032.JPG" data-mid="123677857" border="0"  src="https://freight.cargo.site/w/1000/i/174ac8f6076b954cad9eaa3e4dd1aca1d0e95bc09b5d71cf1b46d870f649782c/_MG_8032.JPG" /&#62;

	
This installation is the result of seven soundwalks
I did between 2014 and 2016 in different locations. Being inspired by the works of
Hildegaard Westerkamp, Janet Cardiff and Luc Ferrari, this installation focuses
on the many layers of the auditory experience in the style of a docu-fiction. 



I
 composed a seven-minute multiphonic electroacoustic piece, using 
voices and field recordings. 
The seven voices, which come from the seven suspended loudspeakers, 
recount the soundwalks that I transcribed into writing. While these 
voices describe landscapes, talk about orientation and tell stories, 
different sound events fill the space.Seven booklets punctuate the 
space, giving directions, offering points of view and listening. One can
 read diversed and varied sound sensations, from listening to one’s own 
breath to the granular sound of the rain. Each one has its own shape, 
depending on what it gives to hear. These are hybrid writings between maps, 
scores and fictions.
It was shown as part of my bachelor’s degree’s final exhibition at École Nationale Supérieure des Beaux-Arts de Paris in June 2016.
Estelle Schorpp · Promenade pour sept, sept minutes (excerpt)
&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/c4c63d0881311bcd4acda11a2a031bdaa0f3db50b17f6e008d0eb9b2dd1b8e2e/_MG_7997.JPG" data-mid="123677846" border="0"  src="https://freight.cargo.site/w/1000/i/c4c63d0881311bcd4acda11a2a031bdaa0f3db50b17f6e008d0eb9b2dd1b8e2e/_MG_7997.JPG" /&#62;
&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/259abf9faa142f37d5c43f354062014fb20d5e894c3c566da412dc67d59502b2/_MG_8056.JPG" data-mid="123677859" border="0"  src="https://freight.cargo.site/w/1000/i/259abf9faa142f37d5c43f354062014fb20d5e894c3c566da412dc67d59502b2/_MG_8056.JPG" /&#62;
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